About the show:
Nothing to Declare is a contribution to contemporary discussion on migration, not only of people across borders, but of forms and realities across time and space, with the dysfunctional city of Manila as initial site. But instead of the subaltern who cannot speak[v], the project focuses on those who have nothing to declare –those whose marginality is source of intervention and strength, of subterfuge and resistance, of constraint as well as change.
In brief, NOTHING TO DECLARE revolves around the following interrelated themes:
1. shifting geographies emerging from diasporas, migrations, overseas work
2. shifting identities arising from movement, mobility, displacement, exchange; implying a sense of rootedness and slippage, identification and estrangement, familiarity and alienation, entitlement and distance
3. shifting spaces, connoting not just physical relocation, but mental and spiritual dis/position, as well as dislocations, gaps and silences that take place in immediate, virtual and hyper-realities
4. shifting positions, implying an appreciation of difference and a willingness to dialogue, work together, listen and engage.
5. shifting power relations, connoting multiple flows and streams of choices, constraints, control and conditions of creation, dissemination and reception
6. shifting possibilities, connoting transformations and breaking grounds where marginality – of having nothing to declare – IS source of intervention and strength, of loss as well as triumphs
As part of the Wandering Archives project, participating artists were asked to archive a queer life. I chose to examine the geographical passages of James Baldwin.